I have to spend a moment in celebration of the news that Damages has been not only renewed, but renewed for two more seasons.
Despite my appreciation for strong female characters, it took me a little bit of time to get into Damages. I think because in the beginning, Glenn Close’s Patty Hewes was too much of a dark enigma to specifically be likeable, and Rose Byrne’s Ellen Parsons was too young and naïve to truly capture my imagination.
The beauty of the series in large part was it’s structure, designed with a built in hook that seemed to acknowledge the nebulous characterizations and sought to capture people’s imaginations with the promise of what was going to happen between these two women even more than who and what they were at the beginning. There was always the tease that the story we were being told existed in flashback. In the present, cataclysmic events had helped shape the two women and the world around them, and the story existed to unfold those events, sometimes with teasing misdirection, playing on the viewers expectations to take us where they wanted us to go.
In that way, I suppose it existed almost as a lawyer’s summation. Giving us as the jury some idea of where it was going, but waiting until the end to hit us with the full emotional impact of how it was going to get there.
Like some other notable stories with two female leads, Damages is in no small part about the effect that each of them has on the other. There is in the beginning something of a stark, Yin/Yang dynamic between them. Passive and aggressive, wily experience versus untested potential. This element was played up in the famous promotional image, showing
Darkness, or Yin, isn’t understood as something evil but instead as passive to counterbalance Yang’s aggression. But always, the real sense of balance achieved by Yin/Yang exists in the one tiny, purest piece of the other which exists in the heart of each of them.
It took most of the season before we got a real hint of
And like any good circle, the end of the season took us back to where it had begun. To a long pier, hinting at all the secrets buried underneath the churning surface of the water.
At the end of the pilot, we saw
Another television show to revolve around two female leads, with a story focusing on the relationship between them and the impact they would have on each other lives was Xena:Warrior Princess. Yes, yes, go ahead and laugh. What could the two shows have in common? Xena was over the top, cheesy and dancing on the edge of exploitation even as it showed a woman as the ultimate warrior. And yet, at it’s heart, the show Xena was as much about the character
And through the course of the series, we see the young, happy, fumbling child Gabrielle was slowly fall away, as she followed the darker path Xena lead her down, losing her innocence slowly, often painfully, until she had indeed become something very much like what Xena had been when they met. It was both affirming and heartbreaking, because the skills and abilities she had learned at Xena’s side had come with the darkness, the pain and guilt off all the battles she had fought. And the lives she had taken, or failed to save.
Very early on in the series, there was an episode called Dreamworker which in many ways established the thematic arc of the entire series. In it,
Now, what does all this have to do with Damages, you ask? There is this scene at the end of Dreamworker.
Likewise, the dog collar
And now with the news that we’ll be getting not just one but two more seasons, I look forward very much to seeing what the consequences of those changes will be.
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